![]() It’s basically one-point perspective and I love the effect of creating three-dimensionality on 2D surfaces. It’s also a great way to use these “lines” to force the viewer to go where you want them to look. One of the reasons I’m so fond of its power to enhance depth and pull you into a painting. For me it’s the “Radiating Line” composition (from Edgar Payne’s essential reading: “Composition of Outdoor Painting”).Īs I look at landscapes, especially in Plein Air, the “Radiating Line” is my go-to composition and one that I see readily when I’m out painting. ![]() ![]() That tantalizing scene that we’re drawn to over and over even when we know we should be “trying something new” or “pushing ourselves”. I think we’re all suckers for one thing or another in painting. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |